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dc.contributor.authorSchirmer-Mokwa, Katharina L
dc.contributor.authorFard, Pouyan R
dc.contributor.authorZamorano, Anna M
dc.contributor.authorFinkel, Sebastian
dc.contributor.authorBirbaumer, Niels
dc.contributor.authorKleber, Boris A
dc.date.accessioned2024-07-04T12:56:36Z
dc.date.available2024-07-04T12:56:36Z
dc.date.issued2015-12-17
dc.identifier.citationSchirmer-Mokwa KL, Fard Pouyan R, Zamorano Andres AM, Finkel S, Birbaumer N, Kleber BA. Evidence for Enhanced Interoceptive Accuracy in Professional Musicians. Front Behav Neurosci. 2015 Dec 17;9:349.en
dc.identifier.issn1662-5153
dc.identifier.otherhttp://hdl.handle.net/20.500.13003/10577
dc.identifier.urihttp://hdl.handle.net/20.500.12105/20164
dc.description.abstractInteroception is defined as the perceptual activity involved in the processing of internal bodily signals. While the ability of internal perception is considered a relatively stable trait, recent data suggest that learning to integrate multisensory information can modulate it. Making music is a uniquely rich multisensory experience that has shown to alter motor, sensory, and multimodal representations in the brain of musicians. We hypothesize that musical training also heightens interoceptive accuracy comparable to other perceptual modalities. Thirteen professional singers, twelve string players, and thirteen matched non-musicians were examined using a well-established heartbeat discrimination paradigm complemented by self-reported dispositional traits. Results revealed that both groups of musicians displayed higher interoceptive accuracy than non-musicians, whereas no differences were found between singers and string-players. Regression analyses showed that accumulated musical practice explained about 49% variation in heartbeat perception accuracy in singers but not in string-players. Psychometric data yielded a number of psychologically plausible inter correlations in musicians related to performance anxiety. However, dispositional traits were not a confounding factor on heartbeat discrimination accuracy. Together, these data provide first evidence indicating that professional musicians show enhanced interoceptive accuracy compared to non musicians We argue that musical training largely accounted for this effect.en
dc.description.sponsorshipWe thank Prof. Wolilwender from the State University of Music and the Performing Arts Stuttgart (Germany) for her collaboration. We also thank Dr. Karsten Rauss and Dr. Ralf Veit for statistical advice. The Deutsche Forschungsgemeinschaft (DEG) supported this study with funds to BK (KL 2341/1-1). AZ was supported by funds from the Department of Education of the Regional Government of the Balearic Islands and the European Social Fund (#BOIB num. 68-07/05/2011).es_ES
dc.language.isoengen
dc.publisherFrontiers Media en
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectInteroceptionen
dc.subjectMusiciansen
dc.subjectInsulaen
dc.subjectMultisensory integrationen
dc.subjectHeartbeat perceptionen
dc.titleEvidence for Enhanced Interoceptive Accuracy in Professional Musiciansen
dc.typeresearch articleen
dc.rights.licenseAttribution 4.0 International*
dc.identifier.pubmedID26733836es_ES
dc.format.volume9es_ES
dc.format.page349es_ES
dc.identifier.doi10.3389/fnbeh.2015.00349
dc.relation.publisherversionhttps://dx.doi.org/10.3389/fnbeh.2015.00349en
dc.identifier.journalFrontiers in Behavioral Neurosciencees_ES
dc.rights.accessRightsopen accessen
dc.identifier.scopus2-s2.0-84957808996
dc.identifier.wos366698500001
dc.identifier.puiL608197511


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Attribution 4.0 International
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